African Modernism in America, 1947-67
Yale University Press

African Modernism in America, 1947-67

Regular price $50.00 $0.00 Unit price per
Shipping calculated at checkout.
A groundbreaking examination of modern African artists and their relationships with American artists and cultural institutions in the mid-twentieth century
Between 1947 and 1967, institutions such as the Harmon Foundation, the Museum of Modern Art, New York, and historically Black colleges and universities collected and exhibited works by many of the most important African artists of the mid-twentieth century, including Ben Enwonwu (Nigeria), Gerard Sekoto (South Africa), Ibrahim El-Salahi (Sudan), and Skunder Boghossian (Ethiopia). The inventive and irrefutably contemporary nature of these artists’ paintings, sculptures, and works on paper defied typical Western narratives about African art being isolated in a “primitive” past.
Providing an unprecedented examination of the complex connections between modern African artists and American patrons amid the interlocking histories of civil rights, decolonization, and the Cold War, this fascinating volume reveals a transcontinental network of artists, curators, and scholars that challenged assumptions about African art in the United States and encouraged American engagement with African artists as contemporaries

Perrin M. Lathrop is the Assistant Curator of African Art at Princeton University Art Museum. She was the 2021-22 University of Maryland-Phillips Collection postdoctoral fellow in modern and contemporary art history.
Publisher: Yale University Press
Page Count: 224 pages
Publication Date: 2022

Share this Product