{"title":"Phillips Publications and More","description":"\u003cp\u003eTake home a piece of our special exhibitions with our exhibition catalogues. Share your love for the Phillips with a variety of items featuring your favorite Phillips artists and artworks.\u003c\/p\u003e","products":[{"product_id":"riffs-and-relations-african-american-artists-and-the-european-modernist-tradition","title":"Riffs and Relations: African American Artists and the European Modernist Tradition","description":"\u003cp\u003e\u003cem\u003eRiffs and Relations: African American Artists and the European Modernist Tradition \u003c\/em\u003epresents works by African American artists of the twentieth and twenty-first centuries together with works by the early-twentieth-century European artists with whom they engaged.  Black artists have investigated, interrogated, invaded, entangled, annihilated, or immersed themselves in the aesthetics, symbolism, and ethos of European art for more than a century.  This groundbreaking catalog--acompanying the major exhibition at The Phillips Collection--explores the connections and frictions around modernism in the works of artists such as Romare Bearden, Pablo Picasso, Faith Ringgold, Renee Cox, Robert Colescott, Norman Lewis, Hank Willis Thomas, Carrie Mae Weems and Henri Matisse.  \u003c\/p\u003e\n\u003cp\u003eWritten by Adrienne L. Childs, Contribution by Valerie Cassel Oliver and Renee Maurer, Forward by Dorothy Kosinski\u003c\/p\u003e\n\u003cp\u003eHardcover: 208 pages\u003c\/p\u003e\n\u003cp\u003ePublisher: Rizzoli Electa\u003c\/p\u003e","brand":"Rizzoli Electa","offers":[{"title":"Default Title","offer_id":37408225034392,"sku":"24864","price":50.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0418\/2271\/6056\/products\/SKU_24864.jpg?v=1606318490"},{"product_id":"moira-dryer-back-in-business","title":"Moira Dryer: Back in Business","description":"\u003cp\u003e\u003cem\u003eMoira Dryer: Back in Business\u003c\/em\u003e features essays by guest curator Lily Siegal and writer Valerie Smith, dazzling color plates and details of each artwork in the exhibition.  \u003c\/p\u003e\n\u003cp\u003eEssays by Guest Curator Lily Siegel and writer Valerie Smith\u003c\/p\u003e\n\u003cp\u003eHardcover: 96 pages\u003c\/p\u003e\n\u003cp\u003ePublisher: The Phillips Collection\u003c\/p\u003e","brand":"The Phillips Collection","offers":[{"title":"Default Title","offer_id":37409814315160,"sku":"25178","price":24.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0418\/2271\/6056\/products\/SKU_25178.gif?v=1606167152"},{"product_id":"jabob-lawrence-the-migration-series","title":"Jacob Lawrence: The Migration Series","description":"\u003cp data-mce-fragment=\"1\"\u003eEdited by Leah Dickerman, Elsa Smithgall. Text by Elizabeth Alexander, Rita Dove, Nikky Finney, Terrance Hayes, Tyehimba Jess, Yusef Komunyakaa, Patricia Spears Jones, Natasha Trethewey, Lyrae Van Clief-Stefanon, Crystal Williams, Kevin Young.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eLawrence's landmark series on African American migration in context\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eIn 1941, Jacob Lawrence, then just 23 years old, made a series of 60 small tempera paintings on the Great Migration, the decades-long mass movement of black Americans from the rural South to the urban North that began in 1915–16. The child of migrant parents, Lawrence worked partly from his own experience and partly from long research in his neighborhood library. The result was an epic narrative of the collective history of his people. Moving from scenes of terror and violence to images of great intimacy, and drawing on film, photography, political cartoons and other sources in popular culture, Lawrence created an innovative format of sequential panels, each image accompanied by a descriptive caption. Within months of its completion, the series entered the collections of The Museum of Modern Art, New York, and the Phillips Memorial Gallery (today The Phillips Collection), Washington, DC, each institution acquiring 30 panels.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003eThe Migration Series\u003c\/em\u003e is now a landmark in the history of modern art. \u003cem data-mce-fragment=\"1\"\u003eJacob Lawrence: The Migration Series\u003c\/em\u003e, now in paperback, grounds Lawrence’s work in the cultural and political debates that shaped his art and demonstrates its relevance for artists and writers today. The series is reproduced in full; short texts accompanying each panel relate them to the history of the Migration and explore Lawrence’s technique and approach. Alongside scholarly essays, the book also includes 11 newly commissioned poems, by Rita Dove, Nikky Finney, Terrance Hayes, Tyehimba Jess, Yusef Komunyakaa, Patricia Spears Jones, Natasha Trethewey, Lyrae Van Clief-Stefanon, Crystal Williams and Kevin Young, that respond directly to the series. The distinguished poet Elizabeth Alexander edited and introduces the section.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003ePublisher: The Museum of Modern Art\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eSoftcover: 192 Pages\/ 77 Color\/ 25 Black \u0026amp; White\u003c\/p\u003e","brand":"D.A.P.","offers":[{"title":"Default Title","offer_id":37455676768408,"sku":"JACOBMIG","price":35.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0418\/2271\/6056\/products\/SKU_20067.jpg?v=1606403243"},{"product_id":"jennifer-bartlett-pierre-bonnard-in-and-out-of-the-garden","title":"Jennifer Bartlett \u0026 Pierre Bonnard: In and Out of the Garden","description":"\u003cp data-mce-fragment=\"1\"\u003eAuthor: Klaus Ottmann\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003e“…as for vision, I see things differently every day, the sky, objects, everything changes continually, you can drown in it. But that’s what brings life.”—Pierre Bonnard\u003c\/em\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003e \u003c\/em\u003ePainters Pierre Bonnard (1867-1947) and Jennifer Bartlett (b. 1941) were both avid gardeners, and gardens—especially the ones they created for themselves—had a lifelong influence on both their work. \u003cem data-mce-fragment=\"1\"\u003eJennifer Bartlett \u0026amp; Pierre Bonnard: In and Out of the Garden\u003c\/em\u003e presents the ways in which these two artists, the French post-impressionist Bonnard and the contemporary American artist Bartlett, have visually interpreted gardens and nature during their careers.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eGarden views from both inside the house and the outside are a defining subject for both painters. The profusion of colours and textures in Bonnard’s work has a parallel in Bartlett’s reinvention of figurative paintings made in the 1970s. This volume showcases over fifty paintings, drawings, and prints by both Bonnard and Bartlett, accompanied by illuminating text from Klaus Ottmann.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003eIn and Out of the Garden\u003c\/em\u003e explores gardens as a recurrent theme throughout Bonnard’s oeuvre, from the early days at Le Clos—the Bonnard summer home in the Dauphiné—and his first garden at Vernonnet, west of Paris, to his final home, Le Bosquet (which translated, means The Grove), on the Cote d’Azur. Among his works featured in the book are oil paintings depicting dreamlike gardens, an Eden-like landscape and reclining figures in “Earthly Paradise,” and his renowned \u003cem data-mce-fragment=\"1\"\u003eThe Open Window\u003c\/em\u003e, which draws our eye to the trees beyond, framed by the window.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThis volume juxtaposes Bonnard’s works with pieces by Jennifer Bartlett, who emerged in the mid-1970s to become one of the leading American artists of her time, and one of the first female painters of her generation to be both commercially successful and critically acclaimed. In 1979, Bartlett spent a winter in a rented home in Nice where a small, run-down garden became the inspiration for her \u003cem data-mce-fragment=\"1\"\u003eIn the Garden \u003c\/em\u003eseries, consisting of 200 drawings. \u003cem data-mce-fragment=\"1\"\u003eIn and Out of the Garden\u003c\/em\u003e features selections from this seminal work as well as pastels and oil paintings of Bartlett’s New York City gardens and her Amagansett garden.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eWith its authoritative text and superb examples of works by the post-Impressionist and the contemporary artist,\u003cem data-mce-fragment=\"1\"\u003e Bonnard \u0026amp; Bartlett: In and Out of the Garden\u003c\/em\u003e presents an unexpected yet inspired pairing of two painters “for whom gardens not only evoke joy and domestic felicity but also possess a darker sensibility,” as the Foreword to the book explains.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003ePublisher: D. Giles LTD.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eHardcover: 80 Pages\/ 70 Color\/ 10 Black and White\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003ePublication Date: June 1, 2020\u003c\/p\u003e","brand":"D. Giles Ltd.","offers":[{"title":"Default Title","offer_id":37455840215192,"sku":"25196","price":30.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0418\/2271\/6056\/products\/SKU_25196.jpg?v=1606404330"},{"product_id":"zilia-zilia-sanchez-soy-isla","title":"Zilia Sánchez: Soy Isla","description":"\u003cp data-mce-fragment=\"1\"\u003e Vesela Sretenovic; With essays by Ingrid W. Elliott, Abigail McEwen, Carla Acevedo-Yates, Mercedes Cortázar, and a contribution by Alyson Cluck\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eA beautifully produced, comprehensive look at Cuban artist Zilia Sánchez that traces her alluring and evocative paintings and sculpture from the 1950s to today\u003c\/strong\u003e\u003cbr\u003e \u003cbr\u003e Cuban artist Zilia Sánchez (b. 1926) often says, \u003cem\u003e“Soy isla”\u003c\/em\u003e (“I am an island”), expressing her desire for solitary, uncompromising practice. It also serves as a metaphor for her experience as an islander—connected to and disconnected from both the mainland and mainstream art currents, such as concretism, gestural abstraction, and minimalism. Characterized by reductive forms, clean lines, and sensuous curves suggestive of the female body, Sánchez’s work frequently references protagonists from ancient mythology and lunar motifs while embracing ambiguity. This groundbreaking volume examines her paintings, sculptures, works on paper, and graphic illustrations together with archival ephemera. It traces Sánchez’s artistic journey from her early years in Cuba through her travels in Europe and residence in New York in the 1960s to her move to Puerto Rico, where she still lives and works. With spectacular illustrations of more than 75 artworks, insightful essays situating Sánchez within the context of global modernism, and a conversation with the artist, this is the most comprehensive publication on Sánchez’s art to date.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003ePublisher: Yale University Press\u003c\/p\u003e\n\u003cp\u003eHardcover: 350 Pages\u003c\/p\u003e\n\u003cp\u003ePublication Date: February 19, 2019\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e \u003c\/p\u003e","brand":"Yale University Press","offers":[{"title":"Default Title","offer_id":37457004265624,"sku":"23255","price":20.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0418\/2271\/6056\/products\/SKU_23255.jpg?v=1606410447"},{"product_id":"renoir-and-friends-1","title":"Renoir and Friends","description":"\u003cp data-mce-fragment=\"1\"\u003eEliza E. Rathbone (Author), Mary Morton (Contributor), Sylvie Patry (Contributor), Aileen Ribeiro (Contributor), Elizabeth Steele (Contributor), Sara Tax (Contributor)\u003cbr\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003ePierre-Auguste Renoir’s renowned and evocative \u003cem data-mce-fragment=\"1\"\u003eLuncheon of the Boating Party\u003c\/em\u003e (1880–1881) portrays a convivial gathering of friends and acquaintances. The subjects of the painting were people Renoir knew, fellow artists, journalists, critics, collectors, models, and actors. For the first time, this volume examines in detail Renoir’s subjects and working methods through the deconstruction of this painting, now one of the jewels of The Phillips Collection, in Washington D.C.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003eRenoir and Friends\u003c\/em\u003e explores Renoir’s masterpiece, analysing elements of the painting itself, photographs, and contextual works by Renoir and fellow artists including Gustave Caillebotte, Edgar Degas, Léon Bonnat, and Édouard Manet. Essays by leading scholars draw out information about the subjects, including collector Charles Ephrussi and Renoir’s future wife Aline Charigot. They discuss what the inclusion of these characters in the painting tells us about Renoir’s working practice and look at how the artist created a painting with universal appeal whilst remaining convincingly specific. This beautifully illustrated volume contains over 100 color images of works by Renoir and his contemporaries, as well as a bibliography and an index.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003ePublisher: D. Giles, Ltd.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eHardcover: 144 Pages\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003ePublication Date: October 31, 2017\u003c\/span\u003e\u003c\/p\u003e","brand":"D. Giles Ltd.","offers":[{"title":"Default Title","offer_id":37458043568280,"sku":"20850","price":29.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0418\/2271\/6056\/products\/SKU_20850.jpg?v=1606414698"},{"product_id":"snapshot-painter-photographers-from-bonnard-to-vuillard","title":"Snapshot: Painter\/Photographers from Bonnard to Vuillard","description":"\u003cp\u003eElizabeth W. Easton (Editor), Eliza Rathbone (Contributor)\u003c\/p\u003e\n\u003cp\u003eSnapshot investigates seven Post-Impressionist painters and printmakers: Pierre Bonnard, George Hendrik Breitner, Maurice Denis, Henri Evenepoel, Henri Rivière, Félix Vallotton, and Edouard Vuillard. Although celebrated for their works on canvas and paper, these artists also made many personal and informal snapshots.\u003c\/p\u003e\n\u003cp\u003ePublisher: Yale University Press\u003c\/p\u003e\n\u003cp\u003eHardcover: 234 Pages\u003c\/p\u003e\n\u003cp\u003ePublication Date: October 1, 2014\u003c\/p\u003e","brand":"Yale University Press","offers":[{"title":"Default Title","offer_id":37468875096216,"sku":"12212","price":30.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0418\/2271\/6056\/products\/SKU_12212.jpg?v=1606488515"},{"product_id":"duncan-phillips-writings-on-art","title":"Duncan Phillips Writings on Art","description":"\u003cp\u003eAuthor: Duncan Phillips, Edited by Klaus Ottmann, Introduction by Susan Behrends Frank\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThis selection of the art writings of Duncan Phillips (1886–1966), the early twentieth-century art critic, collector, and patron, is the first gathering of these texts into a publication devoted exclusively to this essential side of the man who founded The Phillips Collection in Washington, D.C. In late 1918, Phillips took a leap of faith when he conceived a unique private art museum in the nation’s capital at the end of World War I as a setting for a dialogue between the art of the past and the present with an emphasis on defining what is modern from a distinctively personal perspective. Phillips’s extensive writings were the primary instruments through which he expressed and shared his views alongside the artworks he regularly acquired and exhibited in curated installations that were regularly renewed in fresh rearrangements.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThis book is not a comprehensive assembly of Phillips’s art writings but a representative compendium of his views over the course of his lifetime. The selection includes examples from his early efforts while a student at Yale University (class of 1908) to his thoughts in 1964, two years before his death, on the artist Mark Rothko (1903–70), whose work is inextricably linked to the Phillips Collection through the Rothko Room, the first such dedicated space (est. 1960) for the artist’s work in a museum.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003ePublisher: The Phillips Collection\/Spring Publications\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003ePaperback: 440 Pages\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003ePublication Date: April 28, 2023\u003c\/span\u003e\u003c\/p\u003e","brand":"Spring Publishing","offers":[{"title":"Default Title","offer_id":42683963670680,"sku":"DUNCAN1","price":17.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0418\/2271\/6056\/files\/DuncanPhillipsWritings.jpg?v=1685722232"},{"product_id":"african-modernism-in-america","title":"African Modernism in America, 1947-67","description":"\u003cstrong data-mce-fragment=\"1\"\u003eA groundbreaking examination of modern African artists and their relationships with American artists and cultural institutions in the mid-twentieth century\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eBetween 1947 and 1967, institutions such as the Harmon Foundation, the Museum of Modern Art, New York, and historically Black colleges and universities collected and exhibited works by many of the most important African artists of the mid-twentieth century, including Ben Enwonwu (Nigeria), Gerard Sekoto (South Africa), Ibrahim El-Salahi (Sudan), and Skunder Boghossian (Ethiopia). The inventive and irrefutably contemporary nature of these artists’ paintings, sculptures, and works on paper defied typical Western narratives about African art being isolated in a “primitive” past.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eProviding an unprecedented examination of the complex connections between modern African artists and American patrons amid the interlocking histories of civil rights, decolonization, and the Cold War, this fascinating volume reveals a transcontinental network of artists, curators, and scholars that challenged assumptions about African art in the United States and encouraged American engagement with African artists as contemporaries\u003c\/span\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\n\u003cbr data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003ePerrin M. Lathrop\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e is the Assistant Curator of African Art at Princeton University Art Museum. She was the 2021-22 University of Maryland-Phillips Collection postdoctoral fellow in modern and contemporary art history.\u003c\/span\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003ePublisher: Yale University Press\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003ePage Count: 224 pages\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003ePublication Date: 2022\u003c\/span\u003e\u003c\/div\u003e","brand":"Yale University Press","offers":[{"title":"Default Title","offer_id":42822953631896,"sku":"27231","price":50.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0418\/2271\/6056\/files\/9781885444110.jpg?v=1695398946"},{"product_id":"vivian-browne-my-kind-of-protest","title":"Vivian Browne: My Kind of Protest","description":"\u003cdiv data-expanded=\"true\" class=\"a-expander-content a-expander-partial-collapse-content a-expander-content-expanded\"\u003e\n\u003cp\u003e\u003cspan\u003eVivian Browne’s (1929-1993) varied career spanned more than three decades, from her early portraits and landscapes in the late 1950s and early ‘60s, her \u003c\/span\u003e\u003cspan class=\"a-text-italic\"\u003eLittle Men\u003c\/span\u003e\u003cspan\u003e series of 1966-69, through her final San Joaquin and King’s Canyon paintings of the very early 1990s, completed just before her death in 1993. This highly active career was framed by Browne’s lasting political engagement and activism, that included being an initial director of the Black Emergency Cultural Coalition (BECC), born out of a response to the Metropolitan Museum’s failure to include a single Black Harlem-based artist in its 1969 exhibition, \u003c\/span\u003e\u003cspan class=\"a-text-italic\"\u003eHarlem on My Mind\u003c\/span\u003e\u003cspan\u003e, and her active memberships of Where We At (WWA), the Women’s Caucus for Art (WCA), and the feminist art collective Heresies, from the early 1970s through her death in 1993.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThis volume presents about 62 paintings, prints, and works on paper across several major bodies of work, alongside ephemera highlighting Browne’s enduring activism and teaching work. Drawing upon previously unknown works and archives that have recently become available, this is a significant contribution to the history of twentieth century American art. It accompanies a major exhibition at the Contemporary Art Center, Cincinnati, OH, and at The Phillips Collection, Washington, DC, in 2025.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"a-expander-header a-expander-partial-collapse-header\"\u003eHardcover: 136 Pages\u003c\/div\u003e","brand":"D. 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His poetry challenged societal norms and bridged the worlds of literature and visual art. 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